Part I. Contexts of production
The politics and sociology of screening the past: a national and transnational perspective / Ib Bondebjerg
British Flanders: Co-produced television drama and the limits of a European heritage / Jaap Verheul
Whose heritage?: Noi credevamo (We believed) and the national, regional and transnational dynamics of the risorgimento film / Alex Marlow-Mann
Part II. Limits of representation
Towards world heritage cinema (starting from the negative) / Alan O'Leary
Rewriting history from the margins: diasporic memory, shabby chic and archival footage / Daniela Berghahn
Facing dark heritage: the legacy of Nazi perpetrators in German-language film / Axel Bangert
Spectral Spanish heritage: the hauntology of La noche de los girasoles (The night of the sunflowers) / Paul Mitchell
Adapting Balzac in Jacques Rivette's Ne Touchez pas la hache (Don't touch the axe): violence and the post-heritage aesthetic / Andrew Watts
The ironic gaze: roots tourism and Irish heritage cinema / Ruth Barton
Part III. Modes of consumption
Historical films in Europe: the transnational production, circulation and reception of 'national' heritage drama / Andrew Higson
From 'English' heritage to transnational audiences: fan perspectives and practices and why they matter / Claire Monk
From 'Auschwitz-land' to Banglatown: heritage conflicts, film and the politics of place / Paul Cooge
Cinematic pilgrimages: postmodern heritage cinema / Rob Stone.
