Zora Neale Hurston, Haiti, and Their eyes were watching God

Introduction: Zora Neale Hurston, seven weeks in Haiti, and Their eyes were watching God / La Vinia Delois Jennings

Remembering the sacred tree: black women, nature, and Voodoo in Zora Neale Hurston's Tell my horse and Their eyes were watching God / Rachel Stein

The myth and ritual of Ezili Freda in Hurston's Their eyes were watching God / Derek Collins

Vodou imagery, African American tradition, and cultural transformation in Zora Neale Hurston's Their eyes were watching God / Daphne Lamothe

"Black cat bone and snake wisdom": New Orleanian Hoodoo, Haitian Voodoo and rereading Hurston's Their eyes were watching God / Pamela Glenn Menke

"Papa Legba, ouvrier barriere por moi passer": Esu in their eyes and Zora Neale Hurston's diasporic modernism / Edward M. Pavlic

"Come and gaze on a mystery": Oya as rain-bringing "I" of Zora Neale Hurston's Atlantic storm walkings / Keith Cartwright

"Legba in the house": African cosmology in Their eyes were watching God / Mawuena Logan

Voodoo and the black vernacular as weapons of resistance: liberation strategies in Their eyes were watching God / Babacar M'baye

"All those signs of possession": love and death in Their eyes were watching God / Cynthia Ward

Zora Neale Hurston's Vodun-Christianity juxtaposition: theological pluralism in Their eyes were watching God / Nancy Ann Watanabe.