Seize the day: the mummer's gros mourn/ Chris Brooks(1983)
Reclaiming popular theater/ Rose Adams(1983)
Mixed company redefines political theater Banuta Rubees(1984)
The interactive documentary in Cananda: catalyst theatre's it's about time Alan Filewod(1985)
Underdeveloped alliance Ian Filewod(1987)
Three cultures, one issue: popular theatre in the northwest territories/ Jan Selman(1987)
Against all odds: the progressive arts club production of Waiting for Lefty/ Bonita Bray
South asian women: creating stories of resilience and resistence/ Sheila James(1998) Anxiety and contact in attending to play about land mines/ Julie Salverson(2001)
Placemats for september 11/ Ruth Howard
Playwriting in canadian popular theatre: developing plays with actors and non-actors/ Aida Jordao(2003)
Radical storytelling: performing process in Canadian popular theatre/ Ingrid Mundel(2003)
Theatre for living and practicing democracy: negotiating the monologic beast/ Becky Halvorson(2003)
Disability pride within disability performance/ Catherine Frazee
Theatrical nationhood in radical mobility: the farm show futures and the banner/ground zero collaborations/ Alan Filewood
On the political importance of the aesthetic/ Catherine Graham(2006)
Talking global, performing local: something to declare/ Lisa Doolittle and Lauren Jerke
Memory, memorial and The Monument: contested memories in Rwanda, a field report/ Jennifer H. Capraru(2009)
Translating research into theatre: Nanay, a Testimonial Play/ Geraldine Pratt and Caleb Johnston(2009)
Rehearsing with reality: exploring health issues with aboriginal youth through drama/ Linda Goulet, Jo-Ann Episkenew, Warren Linds, and Karen Arnason(2009)
Digital popular theatre/ Sharon M. Lewis
Remembering Augusto Boal(1931-2009)/ Patti Fraser (2010). The interactive
