Musica speculativa" v. "Musica humana": a wry comment or two? / Anthony Rooley
Contemplative analysis: an introduction / Anthony Rooley
The great divide / Rebecca Lister
Reflections on plainsong / Thomas Forrest Kelly
Ricercare and variations on Ockeghem, Du Fay, and Cambrai / Alejandro Enrique Planchart
Thoughts on the performance of music by Palestrina and Lassus / Alexander Blachly
"Thundering to the tune of Greensleeves" / Adam Knight Glibert
The musical language of death and resurrection: three motets by Nicolas Payen / Laura Pollie McDowell
An immaculate deception? emulation and religious politics in Juan de Esquivel's Ave Maria Domini mei mater / Michael B. O'Connor
Protestant sacred music culture in sixteenth- and seventeenth-century Breslau / Allen Scott
The performance of eight-voice and polychoral psalmody with instruments in Italy and its role in the development of the concertato style in the sixteenth and early seventeeth centuries /
Church music and cultural pride: Hieronymus Praetorius, Hamburg's first great composer / Frederick K. Gable
The masses of Philippus Jacobus Rittler: toward a revised view of the Hapsburg Ordinarium Missæ in the late seventeenth century / Charles E. Brewer
Appropriating the music theoretical concepts of Johannes Lippius: Heinrich Grimm's "Instrumentum instrumentorum, hoc est, monochordum vel potius decacordum" (1643), Michael Praetorius, and textual borrowing / Joanna Carter Hunt
Desperartely seeking Absalom (and Jonathan): a re-evaluation of seventeenth-century anthems based on King David's Laments / John D. Spilker
Musical instruments and instrumental music in the Jesuit reductions / Timothy D. Watkins
Marin Marias's Tombeau pour Mr. de Ste. Colombe: a "secret chromatic art"? / Stewart Carter
One more time: the case for the second-part repetition in classic sonata form / Douglass Seaton
Orpheus as civilizing diety: Pierre-Simon Ballanche and Franz Liszt / Reeves Shulstad
A Christmas eve to remember: William Henry Fry's "Santa Claus" symphony / Laura Moore Pruett
Actors preaching and preachers acting: Charles Gildon's The life of Mr. Thomas Betterton / Matthew Roberson
poems that sing:" the performance style of Frieda Peycke /
Jeffrey T. Kite-Powell and the Florida State University Early Music Ensembles: an annotated interview / Allen Scott.
